He worked around Detroit and Toledo a couple of years before going
to Chicago in 1933. There he played for Jimmy Noone and Erskine
Tate., and a few weeks with Louis Armstrong. He made his first
recordings during the latter engagement. He went to New York in
1934 where he worked for Benny Carter and Will Bryant. He first
attracted national attention through his work on the Benny Goodman
Trio recordings. He was featured with the Goodman trio and quartet
for three years starting in 1936. He formed his own dance band
in 1939. Later he cut the cut the unit to a seven-piece group.
A skilled technician, he gets variety and contrast through his unusual ability to create interesting melodic passages. His pleasant stimulating style has had a marked influence on contemporary musicians. He spends much time in the study of serious music and is partial to the works of Scarlatti and Debussey for the improvement of technique.